A Scholar in His Study (Faust) by Rembrandt van Rijn (Dutch, 1606-1669) is an extraordinary achievement in 17th-century printmaking, capturing the dramatic interiority favored during the Dutch Golden Age. Created between 1647 and 1657, this print showcases the artist’s advanced technical skill, utilizing a complex combination of etching, drypoint, and engraving, meticulously executed upon delicate ivory Japanese paper.
The subject is often interpreted as Dr. Faustus, the legendary scholar who trades his soul for knowledge. Rembrandt situates him deep within a cluttered study, surrounded by scientific instruments, books, and symbolic objects that speak to his intense intellectual pursuit. The composition is defined by the sudden intrusion of an otherworldly light, radiating from a mysterious illuminated disc or sphere appearing outside the window. This burst of light casts a sharp silhouette of the scholar, heightening the psychological drama of the moment and demonstrating Rembrandt’s mastery of chiaroscuro in the print medium.
The layered techniques allow the artist to achieve remarkable atmospheric effects; the drypoint creates rich, velvety shadows, while the etching provides fine, controlled detail. This dedication to texture and emotional weight elevated the status of A Scholar in His Study (Faust) among the prints produced by the Dutch master. The work remains a key example of the versatility of the medium and is permanently held in the collection of the Art Institute of Chicago, where it serves as a critical reference for the study of 17th-century Netherlands graphic arts.