A Nymph with a Small Satyr and Two Goats, from Capricci

A Nymph with a Small Satyr and Two Goats, from Capricci by Giovanni Battista Tiepolo Italian, 1696–1770, is a finely executed etching on paper dating from the period 1740-1750. This print belongs to Tiepolo’s Capricci series, a collection of imaginative and often enigmatic scenes that established his reputation as a master draftsman and printmaker, complementing his famous fresco work. These small-scale compositions, rooted in the 18th-century Italian tradition of the capriccio (an imaginary or architectural fantasy), allowed Tiepolo to explore classical, pastoral, and mythological subjects with great freedom.

The subject matter centers on the eponymous nymph, accompanied by a small satyr and two grazing goats, positioned within an atmospheric, sparsely defined setting. Tiepolo used the demanding medium of etching to create delicate transitions between light and shadow. The line work is characteristically fluid, employing sharp lines for defining figures and softer washes of acid to suggest distant air and texture on the ancient stones. This technique showcases Tiepolo's sophisticated control over the acquerello effect, successfully translating the swiftness of his preparatory pen drawings into permanent prints.

Created during the mid-century peak of the Italian Rococo, the work represents a subtle shift from monumental religious commissions toward more intimate, secular themes suitable for collectors. As a highly influential printmaker in Italy, Tiepolo’s innovative approach broadened access to his unique style. Today, this notable piece is classified as a print within the permanent collection of the Art Institute of Chicago. While the work is housed in Chicago, high-quality images of this 18th-century artwork are often made available through public domain initiatives, ensuring its continued study and appreciation globally.