A Lord from the Time of Francis I, executed by Eugène Delacroix French, 1798-1863, is a sophisticated example of the artist's prolific output in the graphic arts. Created in 1833, this historical portrait is classified as a print, utilizing the combined techniques of etching and drypoint on white wove paper. The subject is a depiction of a nobleman, likely a courtier, rendered in the elaborate costume of the French Renaissance, specifically the era of King Francis I (r. 1515-1547).
Delacroix (1798-1863) often employed historical and literary subjects to fuel his Romantic sensibility, and this print reflects his detailed study of 16th-century fashion and courtly demeanor. The technical execution highlights the distinct qualities of the medium; the etched lines provide the essential framework, while the application of drypoint creates a rich, velvety burr that lends depth and textural contrast to the figure’s garments and the shadow work around the face. This masterful handling of intaglio processes underscores the artist’s skill beyond his renowned oil paintings.
The work offers insight into the Romantic interest in historical narrative prevalent in 19th-century France. This detailed character study, A Lord from the Time of Francis I, is a testament to Delacroix's commitment to printmaking throughout his career. This significant French print is housed within the permanent collection of the Art Institute of Chicago, where its finely preserved condition allows for clear appreciation of the delicate drypoint lines. As an important piece by a major master, the work is frequently referenced in academic studies and high-resolution images are sometimes available through public domain resources.