A Girl with a Broom is an intriguing oil on canvas painting dating from 1646-1651. Its precise authorship has long been debated among scholars, with attributions spanning the general “Dutch 17th Century” school, the master Rembrandt van Rijn, and most prominently, Rembrandt’s gifted pupil, Carel Fabritius. This work exemplifies the artistic shifts occurring during the core of the Dutch Golden Age (1601 to 1650), focusing on a domestic subject rather than traditional history painting.
The piece captures a young girl pausing from her chore of sweeping. Fabritius, or the artist responsible for the canvas, utilizes a restrained, earthy palette, emphasizing the simple dignity of the domestic subject matter. Characteristic of the Leiden school and the influence of Rembrandt, the lighting is dramatic and focused, employing tenebrism to highlight the girl’s thoughtful expression and the worn texture of the broom handle against a dark, indistinct background. This focus on individual expression within an everyday setting reflects the evolving tastes of the period, where genre scenes and studies of daily life became highly prized by Dutch patrons. The robust brushwork used in the treatment of the garments suggests a move toward greater realism and immediacy in this painting.
Although simple in composition, the work is masterful in its psychological depth, elevating the mundane labor of a servant into a moment of quiet contemplation. The technical skill and sophisticated handling of light displayed in A Girl with a Broom ensure its continued study by art historians. This significant canvas is maintained in the collection of the National Gallery of Art, Washington D.C., where it serves as a key example of mid-17th century Dutch art. As this important piece has entered the public domain, high-quality prints and educational references are widely available, allowing global appreciation of the artistry displayed by the circle of Rembrandt.