A Forest Marsh with Travelers on a Bank (The Travelers)

A Forest Marsh with Travelers on a Bank (The Travelers) by Jacob van Ruisdael is a masterful example of 17th-century Dutch printmaking, held in the collection of the Metropolitan Museum of Art. Dating from the period 1628-1682, this work is executed as an etching, specifically representing the first of four known states. Ruisdael, one of the foremost Dutch Golden Age masters, produced relatively few prints during his long career, making these surviving etchings essential documents for studying his approach to line and shadow outside of painting.

The composition focuses on a dense, wild forest marsh, characteristic of the dramatic and untamed Landscapes that defined Ruisdael’s mature style. The artist emphasizes the textures of nature: the sprawling roots, shadowed water, and heavy foliage create an immersive atmosphere. On a raised bank in the foreground, a pair of travelers provides a sense of human scale against the powerful natural setting. Such detailed and atmospheric Forests were highly sought after in the Dutch Republic, reflecting a deep appreciation for localized scenery and the drama inherent in the natural world.

This etching demonstrates the artist’s ability to translate his monumental landscape visions into the delicate medium of the print. The deep contrasts achieved through the etching process heighten the sense of gloom and mystery often present in Ruisdael's work. As a foundational piece in the history of landscape prints, this artwork, often residing in the public domain due to its age and historic significance, remains a key reference for scholars examining 17th-century Dutch art and the evolution of the landscape genre.