A Blacksmith is an early 19th-century print created by Eugène Delacroix between approximately 1820 and 1833. This striking example of Romantic printmaking utilizes the demanding technique of aquatint, enhanced by detailed drypoint remarques, marking it specifically as the second state out of a known six.
Delacroix, renowned primarily for his monumental oil paintings, frequently explored dynamic human forms and dramatic lighting in his graphic works. Here, the artist focuses intensely on the concept of working men. The image centers on the figure of a blacksmith, captured mid-labor in a posture suggesting raw energy and physical exertion. The use of aquatint effectively generates deep shadows and strong contrasts, emphasizing the heat and darkness characteristic of a forge. This portrayal of the laborers aligns with the Romantic era’s interest in powerful individual subjects and the dignity of manual labor.
As a fine example of Delacroix’s early graphic experimentation, the work showcases his mastery of etching techniques before he transitioned fully to lithography later in his career. The print, A Blacksmith, is currently held in the esteemed collection of the Metropolitan Museum of Art. Because of its age and institutional holding, high-quality images of this powerful contribution to 19th-century French prints are often made available for study and public domain use, allowing wide access to Delacroix's important early work.