"A Bald Man in Profile (The Artist's Father?)" by Rembrandt van Rijn, dating from 1630, stands as a seminal example of the master's early career focus on character studies and self-portraiture. Classified as a Print, the image was executed as an intimate etching on laid paper, demonstrating the artist’s rapid assimilation of printmaking techniques early in the Dutch Golden Age. This period, spanning 1601 to 1650, fostered an environment where detailed realism and expressive use of shadow were highly prized, characteristics Rijn fully exploits in this small format.
The subject, often tentatively identified as the artist's father, Harmen Gerritsz van Rijn, is captured in a stark, focused profile. This pose, unusual for formal portraiture of the time, emphasizes the specific textures and contours of aging skin and the bald head. Rijn utilizes fine, controlled lines characteristic of etching to render the detail, allowing light to fall dramatically across the forehead and cheekbone, while leaving the background and the man’s clothing in deep shadow. This dramatic contrast emphasizes the subject's internal presence, transforming what might otherwise be a simple study into a psychologically resonant portrait.
Rijn used family members repeatedly as models during his formative years in Leiden, viewing these exercises not just as depictions of relatives but as tronies—studies of expression or character types. The deliberate simplicity of this composition focuses the viewer entirely on the man’s features, reflecting Rijn’s continuous experimentation with line and tone during the 1630s. This historic artwork is preserved within the collection of the National Gallery of Art, Washington D.C., and remains an important reference point for tracing the development of the artist's foundational mastery of prints. As a crucial element of the public domain, this work continues to influence the study of seventeenth-century Dutch portraiture.