Vicenzo Feoli

Vicenzo Feoli was an artist active during a short but documented period in the late 18th century, operating between 1785 and 1790. His known body of work consists entirely of prints, reflecting the contemporary academic focus on both detailed architectural documentation and classical mythology.

Six documented Vicenzo Feoli prints are represented in major institutional collections, most notably the Metropolitan Museum of Art. His work is thematically divided between detailed views, often focusing on Roman architecture, and figural studies.

The architectural portion of his portfolio includes works derived from the series Veduta generale in prospettiva del cortile nel Museo Pio-Clementino, providing visual records of key landmarks such as Right side of the portico in the courtyard of the Museo Pio-Clementino. His figural studies often depict bacchantes, emphasizing dynamic poses and classical drapery, as seen in prints titled A partly naked bacchante playing a tambourine and A partly nude bacchante holding a disk in her left hand and raising her garments with right. Today, these historical works are often preserved in the public domain, allowing for access to high-quality prints of his output.