Jean-Baptiste Blaise Simonet, Jean-Michel Moreau the Younger

Jean-Baptiste Blaise Simonet and Jean-Michel Moreau the Younger are figures documented primarily through their output in printmaking, with verifiable activity spanning the years 1777 to 1778.

Their known corpus, as represented in major institutions, consists of six prints held in collections, including the National Gallery of Art. This collection of works establishes their position within 18th-century graphic arts. The prints often involve narrative or figural compositions, evidenced by the recurrent documentation of titles such as Voilà la règle de la nature, pourquoi la contrariez-vous? and L'amant de lui-mesme. A further represented work is La nature étaloit à nos yeaux toute sa magnificence.

The preservation of these works in institutional settings confirms their museum-quality status. Today, the high-quality prints by Jean-Baptiste Blaise Simonet and Jean-Michel Moreau the Younger are frequently made available through the public domain, providing researchers and enthusiasts access to this historical period of print production.