Jacques Adrien Lavieille Jean François Millet

The artistic output documented in major collections represents a collaboration between draftsman Jean François Millet and printmaker Jacques Adrien Lavieille. While their full range of activity is not explicitly detailed in available metadata, records indicate a significant period of collaborative production around 1853. Their combined works focus primarily on detailed prints depicting scenes of agrarian labor.

Nine prints representing the work of Lavieille and Millet are held in museum collections, confirming the historical significance and enduring status of their Jacques Adrien Lavieille Jean François Millet prints. The Art Institute of Chicago is one institution that maintains examples of these works. The prints often depict monumental figures engaged in physical work, utilizing the sharp definition afforded by the wood engraving process. Specific documented titles include Man Making Faggots, Mower, Reaper, Sheaf-Binder, and Thresher.

These images serve as museum-quality documents of 19th-century rural life and are widely studied. The precise details of the collaboration between Lavieille, the skilled engraver, and Millet, whose source drawings provided the compositions, define this body of graphic work. Due to the age of the original plates and prints, examples of these compositions have entered the public domain, allowing institutions and researchers to access high-quality prints for non-commercial study.