Isaac Weissenbruch

Isaac Weissenbruch is documented through a body of printed work, with verifiable activity dated to 1836. His oeuvre, as represented in major institutions, consists entirely of prints focusing on varied subject matter, including allegory, machinery, and botanical studies.

Fifteen of Weissenbruch’s prints are currently represented in museum collections, with holdings established at the Rijksmuseum. These works cover a wide range of topics, exemplified by titles such as the figural study Allegorische vrouwfiguur met een veer en een krans, the technical drawing Apparaat, and landscape compositions like Begraafplaats met bomen and Boom en een losse tak. His documentation also includes detailed botanical studies, such as the print titled Cactus.

The preserved documentation of Isaac Weissenbruch prints allows scholars and the public access to his early 19th-century graphic output. Many of these historical works are maintained to museum-quality standards. Today, images of works from this period often enter the public domain, making downloadable artwork widely accessible for study and reference.