Félix Edouard Vallotton

Félix Edouard Vallotton's documented professional activity, based on known institutional holdings, spanned a highly concentrated period from 1891 to 1894. During this era, Vallotton specialized in graphic arts, producing a significant body of Félix Edouard Vallotton prints.

Fifteen of his prints are currently represented in museum collections, confirming the museum-quality status of his work. Notable institutional holdings include those at the Art Institute of Chicago.

The preserved works cover portraiture and narrative genre scenes. Key examples include the graphic Self-Portrait, the complex figure studies of The Funeral and The Coffin Bearers, and the intimate scene Print Fanciers. Other cataloged titles include A Tight Corner. The focus of his existing collection records is primarily on high-quality prints, though scholarly interest remains in the potential existence of corresponding Félix Edouard Vallotton paintings from this active period. Many of these prints, having entered the public domain, are now available as downloadable artwork for researchers and enthusiasts.