Emmanuel Phélippes-Beaulieu

Emmanuel Phélippes-Beaulieu was a printmaker active during a relatively short period in the mid-nineteenth century, with documented work dating between 1854 and 1863. Operating primarily in the graphic medium, Phélippes-Beaulieu created scenes focused on pastoral settings and genre observations.

Eight of this artist’s prints are represented in major United States collections, establishing the documentation of their output. These Emmanuel Phélippes-Beaulieu prints are held by institutions such as the National Gallery of Art. The documented body of work includes View of Santron, The Small Shepherd Seated, The Tourist, The Big Shower, and The Farmyard. The works typically capture figures in landscape or rural settings, reflecting contemporary European interest in genre subjects.

Today, historical works by Phélippes-Beaulieu are frequently found in the public domain, allowing for the widespread dissemination of high-quality prints derived from the original plates, often as downloadable artwork used for academic study.