Emmanuel Jean Nepomucène de Ghendt; Pierre-Antoine Baudouin

Emmanuel Jean Nepomucène de Ghendt and Pierre-Antoine Baudouin were collaborating artists active in the field of printmaking, with their documented output concentrated around the year 1738. Although precise details about their individual careers are sparse, the available record points to a thematic focus captured through their shared efforts in engraving and reproduction.

Five of their prints are currently represented in major museum collections, establishing the artists' legacy in the eighteenth century. These works are preserved in the permanent collection of the National Gallery of Art. The prints suggest the creation of a sequential series, often focusing on the passage of time or diurnal cycles. Documented titles include Le matin, Le midi, and Le soir, along with two separate recordings of La nuit.

The existence of these pieces as museum-quality historical artifacts confirms their importance in the history of printmaking. Due to their age, many of the original reproductions of Emmanuel Jean Nepomucène de Ghendt; Pierre-Antoine Baudouin prints are considered public domain, allowing for widespread academic study. These historical records make it possible for researchers to access high-quality prints and downloadable artwork derived from the originals held in institutional archives.