Cornelis Ploos van Amstel; Herman Saftleven

The artistic endeavor involving Cornelis Ploos van Amstel and Herman Saftleven is documented through their activity in printmaking, specifically around the year 1761. While Saftleven was an earlier Dutch painter and draftsman often associated with landscape, Ploos van Amstel was a collector and prolific printmaker known for reproducing master drawings. The combined output recorded demonstrates an engagement with high-quality prints and etching techniques typical of the period.

Eight documented prints attributed to this collaboration are currently represented in major institutional collections, establishing their credibility within historical art studies. These works are primarily held by the National Gallery of Art. This collection preserves multiple impressions of the recurring subject titled Shipyard.

The meticulous execution required for 18th-century reproductive printmaking ensures that the works retain a museum-quality standard, providing valuable insight into both earlier artistic traditions and contemporary print technology. As figures active in the 18th century, their technical mastery is frequently accessed by scholars. Today, these historical downloadable artwork examples are often available through institutions supporting public domain initiatives.