Christoph Murer

Christoph Murer is recognized as a printmaker active in the mid-16th century. Documentation places his artistic activity specifically in 1558, the date associated with his known body of work. Specific biographical details regarding his nationality, birth, and death dates are not widely preserved in available art historical records.

Murer’s work, as represented in institutional holdings, consists exclusively of prints, with 15 individual examples held in museum collections. His inclusion in major public institutions establishes his significance within the history of printmaking. The National Gallery of Art, for instance, holds a number of these works.

The most frequently recorded work by the artist is the engraving Christ Tells His Disciples of the Last Judgment. The multiple existing examples or various states of this image suggest it was a key focus of Murer’s production during his active year.

The enduring legacy of the artist is preserved through the physical condition of his works. Surviving examples of Christoph Murer prints are maintained in museum-quality condition, providing essential insight into 16th-century print production methods. Furthermore, due to their historical age, many of these images are considered part of the public domain, enabling widespread scholarly access for research and comparative analysis.