Charles Conder

Charles Conder maintained an active career span between 1878 and 1906, producing works across various media, including drawings, prints, and paintings. A review of works represented in major institutions indicates that Conder focused significantly on figural studies and evocative compositions.

Seven works are currently referenced across various institutions, including four drawings, two prints, and a singular painting. Examples of his graphic output include the prints The Throne of the Peacock and La Guitariste. Further compositions represented in museum databases include the drawings Naakte vrouw met half opgeheven armen, naar rechts and Naakte vrouw, op de rug gezien, alongside the piece Souvenir of Seville. The diverse nature of these works demonstrates Conder's technical command over etching, drawing, and oil application.

The enduring status of Conder’s art is reflected by its preservation in prominent collections globally. Works by the artist are held in the Rijksmuseum, the Art Institute of Chicago, and the Cleveland Museum of Art. The representation of Charles Conder prints and drawings in these institutions confirms the museum-quality standard of his output. As much of this material is now secured in the public domain, high-quality images and related resources are widely accessible.