Belgium, probably Bruges

The artist or workshop identified as Belgium, probably Bruges, was active primarily during the 19th century, with documented activity spanning the years 1801 to 1880. This origin point underscores the deep historical tradition of fine craft and textile production rooted in the Flemish region.

The documented body of work consists exclusively of textiles, reflecting the high standards of decorative and utilitarian needlework of the period. Today, the historical significance of the output from Belgium, probably Bruges, is preserved through institutional collections. Nine textiles attributed to this source are held in the permanent collection of the Art Institute of Chicago.

These artifacts document various applications of lace and woven design. Represented works include the highly detailed Babies Cap and the ornamental Flounce, along with several structural elements used in garments and linens, such as Border, Three Borders, and Two Border Fragments. The precision and preservation of these objects confirm their historical significance as museum-quality textiles. While the original works remain protected, documentation of their intricate designs is often available to the public, sometimes through downloadable artwork, ensuring accessibility for textile history research.