Belgium, Brussels

The designation Belgium, Brussels refers to a corpus of decorative and functional textile arts originating from the region during an extensive period of production spanning the eighteenth and nineteenth centuries (1701-1899). The documented works overwhelmingly consist of textiles (thirteen objects) and a single related object, collectively illustrating the output and high standards of Brussels craft during this timeframe.

These works are primarily associated with intricate needlework and textile design. Specific examples of items represented in major institutional holdings include the functional piece Lace Bobbin, as well as various decorative apparel and components such as the Handkerchief, Half Shawl, Border, and Flounce. These objects provide critical documentation of historical textile methods and fashion trends.

The collection is notably represented by the Art Institute of Chicago, which preserves fourteen items associated with this output. The availability of high-quality prints and imaging of these historical objects often ensures that the material is available as downloadable artwork for scholarly review, particularly as such aged historical textiles frequently enter the public domain.