Arthur B. Davies; George C. Miller

Arthur B. Davies and George C. Miller are recognized for a focused body of collaborative work in printmaking documented primarily between 1919 and 1923. Their known artistic output during this four-year span is limited to seven prints represented in museum collections, confirming their activity in the medium.

These graphic works establish their institutional credibility, with examples preserved in the holdings of the National Gallery of Art. Specific titles known from this period include Men in Agony, Stir of Shadowed Melodies, Circling Doves, Passing of Dreams, and Recurrence. The historical documentation of these Arthur B. Davies; George C. Miller prints provides valuable insight into early 20th-century American graphic arts.

Due to the period of their creation, these images often enter the public domain, making high-quality prints accessible for scholarly research and display. Today, many of these artifacts are available as downloadable artwork through institutional archives, ensuring that this segment of the artists’ careers remains studied and preserved.